I like to think about the tracks as codes - down to the bone. It is also a study of fragments from my 4 string bassguitar. Behind the codes, there are no special philosophical ideas other than that i wanted to work with as little sound as possible, hopefully function in an encoded landscape. If it is grey (as the cover) then, there are gradations; enough to give it life / beauty.
Terje Paulsen
Terje Paulsen
